Guillermo del Toro discusses the profound impact of “It’s a Wonderful Life” on the history of cinema. The director emphasized in an interview with Sight and Sound that Frank Capra’s beloved 1946 Christmas movie, featuring Jimmy Stewart as a despairing father reflecting on his life, offers a unique perspective on the “nightmare” aspect of the American Dream.
“‘It’s a Wonderful Life’ is one of my cherished films for various reasons,” del Toro expressed. “I am intrigued by the fact that [Frank] Capra, an immigrant [from Italy], presented America with a more idealistic and wholesome view of itself, while at the same time showcasing a darker and more nightmarish side than most films dared to explore.”
Del Toro went on to draw parallels between Capra and Walt Disney, suggesting that although Capra is often viewed as a perpetual optimist, the darker elements in “It’s a Wonderful Life” demonstrate his understanding of terror and darkness. The filmmaker noted that the movie delves into a nightmare that lurks beside the American Dream, revealing an edgier and more unsettling aspect to the typically idyllic American psyche.
Regarding the film’s timing, del Toro praised its blend of comedic tone, delivery, and melodrama, emphasizing the importance of the emotional release provided by the film’s conclusion. He described “It’s a Wonderful Life” as a work of speculative fiction that poses compelling “what if?” scenarios.
For del Toro, “It’s a Wonderful Life” has become a cherished tradition in his household, with annual viewings during the Christmas season. He recounted the emotional impact the film has on him, leading to tears multiple times throughout each viewing.
Based on the short story “The Greatest Gift” by Philip Van Doren Stern, “It’s a Wonderful Life” centers on George Bailey, played by Stewart, a man facing financial trouble in the small town of Bedford Falls. With a visit from his guardian angel Clarence, played by Henry Travers, George is shown the positive impact he has had on his community. The film also features performances by Donna Reed, Thomas Mitchell, Beulah Bondi, Ward Bond, Frank Faylen, and Gloria Graham, earning a Best Picture nomination at the Oscars.
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