Francis Ford Coppola’s visit to the Criterion Closet was a nostalgic journey, reflecting on his cinematic influences and works like “The Godfather” and “Megalopolis.” In his selection process, Coppola paid tribute to filmmakers who shaped his artistry and projects that took time to be appreciated.
Starting with the Complete Jacques Tati set, Coppola drew parallels between Tati’s experience financing “Playtime” and his own gamble on “Megalopolis.” He highlighted the evolution of perception from initial dismissal to eventual recognition as a masterpiece.
Expressing admiration for “Rumble Fish,” a film he directed starring Matt Dillon and Mickey Rourke, adapted from S.E. Hinton’s novel, Coppola emphasized its significance as an art film for young audiences. Despite initial challenges, the film found its audience and inspired a generation of artists, particularly in Latin America.
Coppola’s reverence for teachers and influences led him to select Dorothy Arzner’s 1940 film “Dance, Girl, Dance” as a token of gratitude. He shared valuable lessons learned from Arzner, emphasizing the importance of positioning near the camera to engage with actors and provide guidance.
With a focus on inspiring young artists and shaping the future of cinema, Coppola’s Criterion Closet visit showcased his appreciation for artistic evolution and mentorship. Watch the full visit for a glimpse into Coppola’s cinematic journey.
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