The United Kingdom’s Submission to the Oscars is a Gripping Examination of Gender Politics and Police Corruption

Following the tragic death of her policeman husband in the tumultuous badlands of North India, Santosh Saini, a 30-something widow played by Shahana Goswami, finds herself left with nothing. Her State-provided home will be taken away, along with everything she needs to survive. Forced to participate in a government program known as “compassionate appointment,” Santosh takes on the role of a police officer, transitioning from a housewife to Constable Santosh overnight.

The newly appointed Constable Santosh is quickly faced with the corruption within the police force when a low-caste teenage girl, whose parents had reported her missing and sought help from the police, is found dead after being allegedly raped. This incites anger among the lower-castes in the region, who believe that the upper-castes are responsible for the girl’s tragic fate.

Chief Inspector Geeta Sharma, portrayed by Sunita Rajwar, is brought in to lead the investigation. Sharma, known for her charisma and no-nonsense approach to solving crimes against women, becomes a mentor to Santosh. However, as the case unfolds, Sharma’s corruption is revealed, putting Santosh in a moral dilemma.

The film, directed by Sandhya Suri and marking her fictional debut, is a gripping procedural thriller that delves into ethical quandaries and socio-political implications. The performances of Goswami and Rajwar stand out, with Goswami’s portrayal of Santosh’s inner turmoil and determination being particularly noteworthy.

Despite occasional emotional distance and average cinematography, “Santosh” boasts a compelling narrative and powerful performances. The screenplay leaves the audience pondering the complex moral dilemmas faced by the characters long after the film ends.

“Santosh” is currently in limited release and offers a thought-provoking exploration of gender politics, class conflict, and police corruption in India.



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