Las Vegas entertainment was once synonymous with ostrich-plumed showgirls, but Gia Coppola’s The Last Showgirl delves into the end of an era for these glamorous dancers. The tradition of showgirls dates back to The Ziegfield Follies on Broadway in the early 1900s, inspired by the renowned dancers at the Folies Bergère in Paris.
The Folies Bergère in Paris, which launched the career of Josephine Baker, made its mark in Vegas when Lou Walters imported the act to the Tropicana in 1959. The show became a staple in the Vegas entertainment scene until its closure in 2009. Choreographer Jerry Jackson, who directed the Folies Bergère in Vegas from 1975 to 2009, shared insights into his experience.
Jackson’s journey into the world of dance began in a small town in Oklahoma, overcoming challenges such as deformed feet to pursue his passion. His career blossomed in Hollywood, with roles in movies and TV shows, eventually leading him to Vegas to work on the Folies Bergère.
Jackson’s unique twist on the show included incorporating themes, an emcee, and Broadway-style elements to differentiate it from other French revues. He also took over costume design, working closely with renowned designer Nolan Miller to create opulent and elaborate costumes for the show.
In addition to choreography and costumes, Jackson ventured into composing music and lyrics for the show. His background in classical music and training in piano and art helped him create memorable songs for the performances.
The allure of topless showgirls in the past contributed to the popularity of these revues in Vegas, but changing times and preferences led to a decline in interest. Despite this, many showgirls pursued other careers and interests, showcasing their diverse talents and skills outside of the entertainment industry.
The iconic Tropicana, home to the Folies Bergère for many years, met its end in 2009, signaling the end of an era for the glamorous showgirls. Jackson reflects on the hotel’s deterioration and the challenges he faced in keeping the show running with limited resources.
While Jackson has not seen The Last Showgirl film, he acknowledges the portrayal of showgirls facing challenges as they age and the industry changes. He highlights the diverse paths many showgirls have taken outside of show business, showcasing their resilience and adaptability.
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