“Elizabethtown. ““Dean.” “August: Osage County.” All considerably current cinematic efforts of the previous a number of a long time revolving round an individual or two coping with the passing of a member of the family, as a rule, accompanied by a return to their childhood house or small city that may itself grow to be much more inevitably significant by movie’s finish. Directed by renaissance man Robert Schwartzman, having helmed such efforts as “Dreamland,” “The Unicorn,” and “The Argument” along with fronting indie group Rooney and showing onscreen because the dreamboat love curiosity in “The Princess Diaries,” there’s a smattering of ambition current all through his newest mission “The Good Half, “one that may simply discover itself in step with the contemporaries above however can’t assist however repeatedly journey over its storytelling shoelaces within the course of.
Proceed studying ‘The Good Half’ Evaluation: Nothing Can Elevate This Grief-Stricken Tale Beyond The Realm Of Average at The Playlist.
