Welcome to The B-Side, from The Movie Phase. Right here– today– we discuss film EDITORS! Not the motion pictures they modified that were fabulous however the much less fabulous ones in between.
Today we talk to the excellent editor Darrin Navarro (the current, amazing The Caine Mutiny ) regarding the admired editor Sam O’Steen, that dealt with such work of arts as The Grad, Rosemary’s Child, and Chinatown. The O’Steen- modified movies we cover today are: The Day of the Dolphin, Straight Time, Nadine, and A Dry White Period.
Navarro speak about the modifying procedure with William Friedkin (and just how it transformed a little bit with The Caine Mutiny ), just how understanding when not to reduce is as vital as understanding when to reduce when modifying a movie (“when you can tell a story with a shot, you don’t need a cut”), O’Steen’s vital publication Cut to the Chase: Forty-Five Years of Modifying America’s Favourite Movies (created with his spouse Bobbie O’Steen), and what a treasure of a movie Nadine is.
Emphasizes consist of admiring Dustin Hoffman’s amazing ’70s outcome, that minute in the ’80s in which motion pictures were constructed around film celebrity Kim Basinger, the undersea digital photography in The Day of the Dolphin, and the insane filmography of Robert Benton.
Extra recommendations consist of James Garner’s outstanding memoir The Garner Data, Peter Biskind’s juicy Celebrity: Just how Warren Beatty Seduced America, Dustin Hoffman changing himself as supervisor on the collection of Straight Time, Brando in A Dry White Period, and Navarro’s look on the “Art of the Cut” podcast talking about The Caine Mutiny . There’s additionally this unbelievably fascinating, extensive video clip from Bobbie O’Steen: View, Noise & & Tale: Live– “Inside the Cutting Room of Sam O’Steen”.
For much more from The B-Side, you can take a look at highlights of actors/directors and the movies gone over in one location below.
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