Chloé Robichaud’s “Two Women,” a French Canadian comedy premiering at this year’s Sundance Film Festival, has a charmingly retro feel. It falls under the category of a “sex comedy,” reminiscent of films from the 1960s and ’70s. However, it offers a more explicit and feminist take on the genre. The movie explores the desires of the title characters in a goofy yet modern way, with a touch of Neil Simon’s style.
“Two Women” is a modern adaptation of the 1970 Quebecois movie “Two Women in Gold.” In this version, Violette and Florence meet in an eco-friendly complex where they both reside. Violette, a new mom, is troubled by what she believes to be the sounds of her neighbor engaging in wild sexual activities. Confronting Florence, her neighbor, Violette learns the truth and sets off on a liberating journey to rediscover her own desires.
As Violette and Florence explore their newfound sense of freedom, their male partners face their own struggles. Violette’s husband Benoit is having an affair, while Florence’s partner David is concerned about her mental health. The film explores these characters’ journeys while highlighting the importance of female pleasure and empowerment.
While the film’s portrayal of female desire is well-developed, the screenplay at times lacks focus and relies too heavily on contemporary references. Despite this, Robichaud’s direction and the performances of the lead actresses Leboeuf and Gonthier-Hyndman shine through. The film’s resolution may feel too tidy, but it maintains engagement through its captivating visuals and strong character portrayals.
“Two Women” offers a fresh take on the sex comedy genre, centering on female empowerment and pleasure. Although it may not break new ground in its exploration of women’s desires, it remains an entertaining and engaging film. Premiering at the 2025 Sundance Film Festival, it is currently seeking U.S. distribution.
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