Review of ‘Waves’: The Czech Republic’s Oscar Entry Strikes a Chord in Support of Independent Journalism

A new energy surged through Czechoslovakia when Alexander Dubcek assumed leadership in 1968. He championed reforms that promoted freedom of speech, press rights protection, and economic programs favoring the working class within the communist framework. However, the Soviet Union opposed these changes and used military force to suppress them during the Prague Spring.

In the film “Waves,” submitted by the Czech Republic for the 2025 Oscars, director Jirí Mádl tells a gripping story of journalists seeking truth before the Prague Spring and Soviet occupation. Inspired by true events, the film explores the operations of the International News Office of Czechoslovak Radio under Milan Weiner’s management, emphasizing independent reporting and dissenting opinions.

“Waves” underscores the significance of ethical journalism and the responsibility of the press in combating misinformation. The film resonates with American audiences grappling with similar issues in today’s media landscape.

The story follows two brothers, Tomás and Paja, navigating life amidst political unrest. While Tomás tries to protect Paja, the latter gets involved in student activism inspired by Weiner’s work at the radio station.

As the narrative unfolds, the film skillfully juxtaposes the brothers’ contrasting paths, capturing the turbulent political climate of the era. Tomás eventually joins Weiner’s team, navigating ethical dilemmas and personal challenges that test his convictions.

Despite some minor narrative deviations, “Waves” excels in its portrayal of historical events, seamlessly blending archival footage with fictional storytelling. The film highlights the importance of principled reporting, connecting past struggles for journalistic freedom to present-day challenges.

Overall, “Waves” offers a compelling exploration of moral dilemmas and the power of independent journalism, making it a timely and thought-provoking cinematic experience for audiences worldwide.



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