If you’re not familiar with Eva Victor yet, you soon will be. Her debut film, Sorry, Baby, showcases her as a triple threat in the industry with a unique voice that blends irony and earnestness. Despite some familiar indie beats, this film offers a refreshing take on the female “traumedy” genre, delivering humor and emotion in equal measure.
Injecting a story of sexual assault with charm and humor, Sorry, Baby may feel a bit too easy at times, missing some rough edges. However, Eva Victor’s performance as Agnes is a standout, showcasing her wit and vulnerability on screen.
Victor takes a non-linear approach to telling Agnes’ story of recovery from assault, dividing it into five chapters. Each chapter represents a year and explores Agnes’ relationships and experiences during that time. The film balances comedy with darker undertones as it delves into Agnes’ trauma and healing process.
Sorry, Baby shines in its portrayal of Agnes’ recovery as a messy and non-linear journey. The film also addresses the failings of institutions and individuals when it comes to supporting rape victims. Eva Victor’s performance brings depth and sincerity to her character, creating a compelling and relatable protagonist.
Despite some rookie missteps, Sorry, Baby offers a fresh and distinctive take on the traumedy genre. Eva Victor’s performance, along with the chemistry between characters, elevates the film and makes it a must-watch for indie film enthusiasts.
Overall, Sorry, Baby is a heartfelt and authentic portrayal of healing and resilience. Eva Victor’s performance and storytelling make this film a standout in the indie film scene. Get ready to see more of Eva Victor as she establishes herself as a triple threat in the industry.
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