Grace Glowicki’s second film, “Dead Lover,” takes a unique and minimalist approach to a classic plot. The story follows a lonely gravedigger, played by Glowicki herself, who uses experimental science to bring her deceased lover back to life. Shot entirely on a soundstage in Toronto, the film has a theatrical feel that sets it apart from traditional horror movies.
The production of “Dead Lover” showcases the creativity of Glowicki’s small team, using practical elements like props, costumes, and makeup to create a visually stunning but surreal world. The film’s handmade aesthetic, reminiscent of German Expressionism and Guy Maddin’s work, adds to its fantastical charm.
While the performances in “Dead Lover” are bold and histrionic, they may not resonate with all viewers. Glowicki’s exaggerated portrayal of the gravedigger borders on caricature, and the supporting cast, playing multiple roles, adds to the film’s campy tone. The film’s comedic elements can be hit or miss, with moments of genuine tenderness shining through the exaggerated performances.
Despite its quirks, “Dead Lover” is a unique and imaginative film that will appeal to fans of cult cinema. Its blend of humor, romance, and outlandish plot twists make it a standout in the indie film world. “Dead Lover” premiered at the 2025 Sundance Film Festival and is currently seeking distribution in the U.S.
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