Maternity anxiety seems to be a growing trend in recent films, with Mother’s Baby adding to the mix after Nightbitch and If I Had Legs I’d Kick You. This psychological thriller, led by the captivating Marie Leuenberger, keeps viewers guessing about whether post-partum depression is fueling Julia’s paranoia or if there is something truly unsettling about her infant son. The movie maintains a sense of ambiguity until it starts providing answers, which is when things become a bit shaky.
One issue with Mother’s Baby is that it seems to flirt with becoming a horror film but never fully commits. The shift into horror comes late in the film, making it feel a bit silly and predictable. Despite this, the movie is still gripping, disturbing, and laced with dark humor.
The film showcases Leuenberger’s performance as Julia, a classical orchestra conductor who becomes increasingly paranoid about her son. Claes Bang also delivers a compelling performance as Dr. Vilfort, the head of the fertility clinic where Julia gave birth. His character adds to the eerie atmosphere of the film, hinting at hidden motives beneath his reassuring demeanor.
As the story unfolds, Julia’s suspicions about her son grow, leading to a series of unsettling events. The film explores themes of motherhood, identity loss, and the fear of the unknown. Julia’s descent into paranoia is portrayed with intensity, keeping viewers on edge throughout the movie.
Despite some shortcomings in the pacing and tone, Mother’s Baby offers a mix of drama and horror that will keep audiences engaged. The performances, use of music, and cinematography all contribute to the film’s eerie atmosphere. Overall, Mother’s Baby is a creepy and intriguing take on motherhood and the fears that come with it.
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