February has arrived, and with it comes a ton of latest motion pictures you’ll be able to watch at dwelling. Whether or not you’re in search of the right Valentine’s Day watch or a brand new launch you didn’t catch in theaters, there’s a strong lineup of newly streaming titles on Netflix, Prime Video, Max, Peacock and Paramount+ this month. Fortunate for you, we’ve executed the onerous work of combing by way of each new launch to single out one of the best of one of the best. Beneath is our curated information to one of the best new motion pictures to stream in February.
So dive in, there’s just a little one thing for everybody.
“The Great Gatsby”
Netflix – Feb. 1
Depart it to Baz Luhrmann to craft essentially the most lavish adaptation of “The Great Gatsby” conceivable. Launched in 3D, this 2013 epic has starpower (Leonardo DiCaprio! Carey Mulligan! A pre-fame Elizabeth Debicki!), eye-popping manufacturing worth (Gatsby’s celebration doesn’t disappoint) and a stacked soundtrack (Lana Del Rey’s “Young and Beautiful” was written for the movie). However Luhrmann’s mix of hypnotic storytelling and a tragic story like Gatsby’s proves to be a stable match, with the ensemble greater than up to the problem of telling a larger-than-life story a few larger-than-life determine. – Adam Chitwood
“Magic Mike’s Last Dance”
Netflix – Feb. 1
Cue up Ginuwine’s “Pony” and prepare for the third – and last – chapter of the male stripping saga. “Magic Mike’s Last Dance,” which jumped from a Max-exclusive debut to a moderately-sized theatrical launch final Valentine’s Day, follows our titular male stripper (as soon as once more performed by Channing Tatum), who falls underneath the spell of a wonderful older, soon-to-be-divorcee (Selma Hayek), who convinces him to go to London along with her and launch an upscale male revue. Mike, ever adrift, agrees. And whereas some had an issue with the opposite core strippers being decreased to a lone cameo (on Zoom, no much less), returning director Steven Soderbergh (who stepped away from the director’s chair for “Magic Mike XXL”) clearly had some issues concerning the transactional nature of romance and whether or not or not Mike might lastly cool down. Outfitted with a few of the finest dance sequences in the franchise and successful performances from all the solid (together with a younger Jemelia George, who lends some nice “Days of Heaven”-ish voiceover narration), “Magic Mike’s Last Dance” will at some point be seen as an unsung basic. However you may get in on the bottom ground and watch it now. – Drew Taylor
“X”
Netflix – Feb. 1
Later this 12 months we’ll be handled to “MaXXXine,” the third entry in the trilogy of unlikely horror movies from A24 and author/director Ti West. Earlier than “MaXXXine,” although, why not return to the start with “X,” West’s homage to hillbilly horror motion pictures like “Texas Chain Saw Massacre” however embroidered with a wierd sensitivity and emotional heft. The lengthy and in need of “X” is {that a} bunch of pornographers (led by a miraculous Mia Goth and together with Brittany Snow, Martin Henderson, Jenna Ortega and Child Cudi) lease a barn from a seemingly helpless outdated married couple and are quickly picked off one after the other. The film delivers the shocks, for positive, with some very memorable deaths, however the film takes on a further depth when delving into the motives for the murders (too good to giv eaway right here). An A+ slasher film and a soulful rumination on getting older and obsolescence? That’s “X” for you. – Drew Taylor
“Moneyball”
Netflix – Feb. 1
Brad Pitt offers certainly one of his finest performances in the 2011 drama “Moneyball,” an clever crowdpleaser in one of the simplest ways. Directed by Bennett Miller and written by Aaron Sorkin and Steven Zaillian, “Moneyball” charts former MLB flameout Billy Beane (Pitt) who’s now basic supervisor of the Oakland Athletics and recruits a statistician with zero baseball expertise (performed by Jonah Hill in an Oscar-nominated efficiency) to assist him shake up the group. The movie is predicated on a real and controversial story, and whereas the sports activities angle is attention-grabbing, Pitt’s flip as a person stuffed with remorse and disgrace hits you proper in the intestine. – Adam Chitwood
“A Ghost Story”
Max – Feb. 1
If existential dread is your bag, “A Ghost Story” is among the extra distinctive entries in the “ghost movie” style in the final decade. This authentic indie from author/director David Lowery stars Casey Affleck as a person who dies and turns into a ghost, destined to hang-out the small Texas dwelling he shared along with his spouse forever. It’s a decidedly lo-fi affair — Affleck and different ghost characters seem carrying sheets with their eye holes reduce out, and Lowery presents the movie in 1:3 side ratio. Nevertheless it’s additionally a tremendously shifting piece of labor that builds to a climax that packs an emotional wallop. – Adam Chitwood
“Midsommar”
Max – Feb. 1
Ring in the approaching spring with “Midsommar,” one of many brightest and most colourful horror motion pictures ever made. Ari Aster’s 2019 movie that turned an A24 favourite stars Florence Pugh as a younger girl grieving the loss of life of her sister and oldsters who invitations herself on a visit to a midsummer pageant at a commune along with her boyfriend and his pals. However what begins as a curious and beautiful journey right into a tight-knit neighborhood quickly turns right into a nightmare because the rituals deliberate for this explicit pageant aren’t all enjoyable and video games. Pugh is unbelievable and Aster proves to be a grasp at tone as he retains a visually restrained strategy that makes the horrors all of the extra horrifying. – Adam Chitwood
“The Notebook”
Max – Feb. 1
In case you’re in search of one thing romantic to spin up for Valentine’s Day, you’ll be able to’t go mistaken with “The Notebook.” This 2004 Nicholas Sparks adaptation made film stars out of Rachel McAdams and Ryan Gosling and added quite a lot of iconic scenes into Hollywood lexicon. The story unfolds in two timelines as an aged man reads a love story to a girl in a nursing dwelling, and the story comes to life because the Forties-set romance between McAdams’ heiress and Gosling’s lumber mill employee. In case you don’t shed a tear by the tip, verify your pulse – you might be useless inside. – Adam Chitwood
“Pride and Prejudice”
Peacock – Feb. 1
Among the finest movie diversifications of all time and broadly thought-about among the finest Jane Austen diversifications, filmmaker Joe Wright’s “Pride and Prejudice” is positively swoon-worthy. Keira Knightley performs Elizabeth Bennett, a younger girl destined to be married off who’s immediately transfixed by the snobbish Mr. Darcy, performed by “Succession” star and Emmy winner Matthew Macfadyen. The manufacturing worth is lush as Wright captures the romance of 18th century rural England, and Knightley and Macfadyen are divine collectively. The solid of this 2005 launch can also be a who’s who of future stars: Rosamund Pike, Carey Mulligan, Rupert Pal, Kelly Reilly and Talulah Riley all seem. – Adam Chitwood
“Just Mercy”
Peacock – Feb. 1
One of the vital highly effective movies concerning the loss of life penalty ever made, 2019’s “Just Mercy” stars Michael B. Jordan as Bryan Stevenson, a Harvard legislation graduate who travels to Alabama with the intention of serving to those that can’t afford correct authorized illustration. Whereas there, he turns into concerned in the case of a person on loss of life row, performed by Jamie Foxx, and fights to not solely show his innocence however preserve him from being killed. Written and directed by Destin Daniel Cretton, the movie is predicated on a real story and is as impactful a watch as you can get — it not solely makes its case, however captures the realities of loss of life row with harrowing element. Brie Larson, Tim Blake Nelson and Rafe Spall co-star nevertheless it’s Rob Morgan who steals the movie as an inmate on loss of life row. – Adam Chitwood
“Just Friends”
Prime Video – Feb. 1
Right here’s an underrated romcom that’s excellent for Valentine’s Day. The 2005 movie “Just Friends” stars Ryan Reynolds as a profitable music producer whose airplane – which can also be carrying a uninteresting pop star performed by Anna Faris – is compelled to land close to Chris’ hometown simply in time for Christmas. He begrudgingly returns dwelling and faces his highschool crush, performed by Amy Good, however all his emotions of being a plus-sized outsider come flooding again regardless of his makes an attempt to remake his picture as an grownup. It is a romcom that’s actually humorous, with Reynolds bringing the products however Faris stealing all the film along with her go-for-broke efficiency. – Adam Chitwood
“Orion and the Dark”
Netflix – Feb. 2
Prepare to meet your new favourite animated film. “Orion and the Dark,” primarily based on the youngsters’s guide by Emma Yarlett, follows younger Orion (Jacob Tremblay), who’s afraid of principally all the pieces – particularly the darkish. That every one adjustments when the personification of the Darkish (Paul Walter Hauser) visits Orion and takes him on an unbelievable nighttime odyssey. He meets the opposite evening entities, together with Candy Desires (Angela Bassett), Sleep (Natasia Demetriou), Insomnia (Nat Faxon), Unexplained Noises (Golda Rosheuvel) and Quiet (Aparna Nancherla). He additionally meets Gentle (Ike Barinholtz), who won’t be as sizzling as he thinks he’s. Whereas the arrange is lovable, what makes “Orion and the Dark” so particular is each its refined, slyly humorous script by Charlie Kaufman (“Adaptation,” “Being John Malkovich”) and the film’s superbly stylized world. (The movie was produced by DreamWorks Animation and animated by Mikros Animation, the studio behind “Teenage Mutant Ninja Turtles: Mutant Mayhem.”) There’s even a nifty, “Princess Bride”-ish framing gadget with the older Orion (Colin Hanks) telling the story to his younger son. – Drew Taylor
“Past Lives”
Paramount+ – Feb. 2
“Past Lives,” which netted a considerably stunning Finest Image Oscar nomination final month, is a quiet – and quietly devastating – romantic drama concerning the love we go away behind and the alternatives that we make. Delicately directed by Celine Tune, whose script additionally earned a Finest Authentic Screenplay nomination, the movie focuses on Nora Moon (Greta Lee), whose childhood sweetheart from again in Korea Hae Sung (Ted Yoo) reveals up at some point in New York. Collectively, they fumble by way of a short reconnection, since Nora is now fortunately married to Arthur (John Magaro). Harm emotions, messy feelings, awkward encounters – “Past Lives” has all of it. Will you cry? Most likely. However they are going to be good, cleaning tears. You’ll be pleased for the discharge. This film is gorgeous. Watch it earlier than the Oscars. – Drew Taylor
“The Tiger’s Apprentice”
Paramount+ – Feb. 2
Prepared for a super-sized fantasy journey for the entire household? “The Tiger’s Apprentice,” primarily based on the guide by Laurence Yep, follows a younger boy named Tom (Brandon Soo Hoo), who discovers a world of historical warriors, in a position to magically remodel into animals (full with very cool visible results). The all-star voice solid consists of Henry Golding, Lucy Liu, Sandra Oh, Michelle Yeoh, Bowen Yang, Jo Koy, Nice Lee and Leah Lewis, with attractive animation offered by Mikros Animation (the identical studio accountable for “Orion and the Dark,” additionally on our record). In case you’re in search of a really enjoyable journey with some precise claws (get it?) – then look no additional than “The Tiger’s Apprentice.” – Drew Taylor
“Ready Player One”
Netflix – Feb. 3
A couple of years in the past Steven Spielberg made “Ready Player One.” He needed to see if he nonetheless had what it took to make a giant, all-ages blockbuster. And the reply was a really large sure. Primarily based on the novel by Austin nerd Ernie Cline, “Ready Player One” takes place in a dystopian future the place everybody retreats to a digital world often called the Oasis. When the creator of the Oasis dies, it triggers a large recreation that sees gamers from internationally try to remedy its many puzzles. In case you remedy them, you acquire management of the Oasis. It’s a enjoyable premise and the likable performers (amongst them: Tye Sheridan, Olivia Cooke, Simon Pegg and Ben Mendelsohn) give the film some a lot wanted humanity and emotion. However the true star of the present is the Oasis itself, lovingly rendered by Industrial Gentle & Magic as a sort of continuous popular culture extravaganza, the place a personality turns into the Iron Large for a climactic battle and an outdated Atari recreation holds the destiny of a whole universe. (A complete part of the film takes place inside a pixel-perfect recreation of Stanley Kubrick’s “The Shining.”) In case you by no means noticed “Ready Player One,” it gives you the identical feeling you get whereas watching an outdated Spielberg film – a sort of heat, fuzzy nostalgia maybe finest enhanced by a 2-litter bottle of Tab and your favourite footie pajamas. – Drew Taylor
“Strays”
Prime Video – Feb. 6
Certainly one of final 12 months’s finest, most neglected comedies, “Strays” follows a canine (voiced by Will Ferrell) cruelly deserted by his dipshit proprietor (Will Forte) and who vows revenge towards him. He groups up with another canine (voiced by Jamie Foxx, Isla Fisher and Randall Park) they usually go on an odyssey throughout the land to discover this man … and chew off his penis. (In case you can’t inform already, “Strays” is extraordinarily R-rated.) Directed by Josh Greenbaum, who additionally helmed the sublimely foolish “Barb and Star Go to Vista Del Mar,” “Strays” will make you snort so onerous you may make an accident on the rug. It’s one of the best. The sort of film that shall be reappraised in 5 years, rightfully heralded as a cult basic, with folks questioning why that they had by no means seen it earlier than. Hey. Don’t blame us. We’re telling you proper now. – Drew Taylor
“The Marvels”
Disney+ – Feb. 7
“The Marvels” – it’s not so unhealthy! Marvel Studios’ newest misfire was ripped aside in opinions and on social media. However when you’re principally anticipating an extra-long episode of the tremendous charming Disney+ authentic collection “Ms. Marvel,” you in all probability gained’t be disillusioned. “The Marvels” hyperlinks up three of the MCU’s brightest heroes – Captain Marvel (Brie Larson), Ms. Marvel (Iman Vellani) and Monica Rambeau, cool superhero identify TBD (Teyonah Parris) – who unite towards an evil enemy with obscure intentions and a hyperlink to Captain Marvel’s previous (performed by Zawe Ashton). Collectively, they get into wacky adventures attempting to save the galaxy, with a visit to a planet the place everybody sings and rather a lot off stuff with Captain Marvel’s cat, who’s a hideous area monster in the guise of a cuddly pet. The chemistry between the three predominant actors is palpable, the manufacturing design and visible results are bight and enjoyable, and it’s solely 105 minutes. Fairly good proper? – Drew Taylor
“The Last Voyage of the Demeter”
Paramount+ – Feb. 11
Certainly one of two Dracula motion pictures launched by Common final 12 months (the opposite, “Renfield,” is a really totally different movie), “The Last Voyage of the Demeter” is completely involved with a slim chapter from Bram Stoker’s authentic novel, that detailed a ship that carried Dracula’s sarcophagus (and that washed ashore in England a ghost ship). It is a complete film devoted to that expedition and what, precisely, went mistaken. And it’s fairly cool, channeling the claustrophobic creature vibes of one thing like “Alien,” with a nifty creature design for Dracula, who’s extra of a vicious gargoyle than courtly prince and stable course by André Øvredal. It’s creepy! – Drew Taylor
“Bottoms”
“Bottoms”
An Orion Footage Launch
(MGM/Patti Perret)
Prime Video – Feb. 13
Certainly one of final 12 months’s easiest motion pictures, “Bottoms” is a howlingly humorous highschool comedy about a few “ugly lesbians” (the film’s terminology, not ours) performed by Rachel Sennott (who additionally co-wrote the screenplay) and Ayo Edebiri, who resolve to begin an underground struggle membership at their college as a method of assembly different homosexual women. The premise is, admittedly, great, however co-writer/director Emma Seligman’s execution is what make is such a riot. The film is absurd and surreal (you’ll determine this out early on when certainly one of their classmates is in a cage), embroidered by a gaudy 1990’s colour scheme and a humorousness that typically is startlingly darkish. With sensible, fearless casting (Marshawn Lynch is their counselor and Kaia Gerber is excellent because the token sizzling lady), a kick-ass rating co-composed by Charli XCX and a velvety 91 minute runtime, “Bottoms” is the very definition of must-watch. This shall be performed at slumber events for years to come. It’s the closest factor we’ve had to a brand new “Heathers” – and with out that earlier film’s meanness, changed with sensitivity and nuance. – Drew Taylor
“Next Goal Wins”
Hulu – Feb. 15
Primarily based on the 2014 documentary of the identical identify, “Next Goal Wins” is an underdog sports activities comedy starring Michael Fassbender as a coach who lands in sizzling water and is given an ultimatum: coach the deeply horrible American Samoa soccer group … or get fired. He chooses the previous though he’s very sad about it. However wouldn’t you recognize it, this scrappy group of misfits and losers in the end warms his coronary heart whereas they make a respectable bid for the majors! (Surprising, we all know.) Initially filmed again in 2020, “Next Goal Wins” suffered a collection of setbacks – a personality initially performed by Armie Hammer was changed by Michael Fassbender, requiring further filming and a transforming of the script. And director Taika Waititi was pulled in totally different instructions; he had obligations to make “Thor: Love and Thunder” and co-star in his homosexual pirate collection “Our Flag Means Death.” Ultimately “Next Goal Wins” opened this previous fall, with out a lot advertising and marketing oomph behind it, following a considerably lukewarm reception at the autumn festivals. (It premiered at the Toronto Worldwide Movie Competition in September.) However you recognize what? The film isn’t unhealthy. It’s persistently humorous and Fassbender is nice in full-on Invoice Murray mode. Positive, there are some dicey parts, together with the dealing with of a trans character (Kaimana), however there’s additionally a good quantity of coronary heart and inclusivity as nicely. “Next Goal Wins” isn’t some unsung basic however when you’re in search of a enjoyable sports activities film that simply may make you cheer, this’ll do the job. – Drew Taylor
“Oppenheimer”
Peacock – Feb. 16
A 3-hour lengthy, R-rated, $100 million biography of one of the crucial controversial figures of World Warfare II and it made almost $1 billion worldwide, created a craze in IMAX and was nominated for 13 Academy Awards, together with Finest Image, Finest Director, Finest Actor and Finest Authentic Rating. “Oppenheimer” didn’t simply break typical knowledge however appeared to actively set about at creating a brand new paradigm, the place a wise, authentic story might flourish in a industrial panorama stuffed with superheroes and all-ages comedies. Christopher Nolan’s biggest creative achievement but, he fearlessly, flawlessly delves into the lifetime of J. Robert Oppenheimer (performed to perfection by Cillian Murphy), who is called the daddy of the atomic bomb. However as an alternative of getting it play out as a straight biopic, Nolan jumbles the timeline and has particular moments in his life work together with each other in a method that solely a film might, leaving a long-lasting impression of each the person and his work that’s tortured and conflicted, exhilarating and horrific. With an all-star supporting solid that features Emily Blunt and Robert Downey, Jr. (now each Oscar nominees for his or her work) and a jaw-dropping rating by Ludwig Göransson, “Oppenheimer” is a movie much less seen than skilled. And when you haven’t skilled it but, you’ve simply run out of excuses. – Drew Taylor
“This Is Me… Now: A Love Story”
Prime Video – Feb. 16
Curiously dropping proper after Valentine’s Day is Jennifer Lopez’s new movie/particular “This Is Me… Now: A Love Story.” The 65-minute particular is described as a “narrative-driven, cinematic original” starring Lopez that’s half music video, half semi-autobiographical romantic drama. The discharge accompanies the discharge of Lopez’s new album, however the movie guarantees music and visitor stars galore with Trevor Noah, Put up Malone, Keke Palmer, Sofia Vergara, Derek Hough and, sure, Ben Affleck all showing. Lauded music video director Dave Meyers directs from a script by Lopez and Matt Walton. – Adam Chitwood
“Teenage Mutant Ninja Turtles: Mutant Mayhem”
Prime Video – Feb. 21
Bafflingly handed over for the Finest Animated Characteristic Oscar nomination, “Teenage Mutant Ninja Turtles: Mutant Mayhem” reinvents the basic characters, who first appeared in comedian guide kind in 1984 and in an animated collection in 1987, in daring and engaging methods. That is primarily achieved by emphasizing the teenage a part of Teenage Mutant Ninja Turtles, with precise youngsters voicing the characters (Micah Abbey, Shamon Brown Jr., Nicolas Cantu and Brady Midday) and focusing a lot of the motion on the turtles simply wanting to match in and go to highschool with their new pal April (Ayo Edebiri). Positive, there’s a potential world-ending risk, however it’s one which challenges the characters particularly and feels associated to who they’re. The opposite factor that units this iteration aside is the ingenious artwork fashion, which feels just like the doodles in a young person’s pocket book – characters are asymmetrical and contours one thing exist exterior of no matter form they’re attempting to hedge in. Even the rating, by Oscar winners Trent Reznor and Atticus Ross, has the vitality and enthusiasm of a storage band. This film is a completely pleasure, overflowing with coronary heart and humor and uncooked, untamed artistry. It’s a disgrace it wasn’t chosen. However, with a sequel in the works, it’ll have one other shot. – Drew Taylor
“All of Us Strangers”
The much less you recognize about “All of Us Strangers,” the higher (in all probability). Directed by Andrew Haigh (“45 Years,” “Lean on Pete”), that is an intimate romantic drama a few man (Andrew Scott), dwelling alone in a dystopian British excessive rise, who quickly takes a eager curiosity in a younger man in the constructing (Paul Mescal). From there issues get a bit … metaphysical. It’s telling that the identical novel (“Strangers” by Taichi Yamada, first revealed in 1987) was beforehand tailored right into a full-throated horror film. That speaks to the elasticity of the supply materials as a lot because it does the fearlessness of Haigh, who stated that he rooted the movie in his personal experiences. You may inform. It has the specificity and element of a narrative that’s rooted in actual life, even when it does have a number of flights of fancy that by no means dilute the message or the emotionality of the piece. Haunting, unhappy and exquisite, it should transfer you. Simply avoid any further plot synopses. – Drew Taylor
“Priscilla”
Max – Feb. 23
“Priscilla” obtained misplaced in the tip of the 12 months crush, maybe dinged by the extra broadly scene “Elvis” final 12 months. And that’s a disgrace. As a result of it’s a actually particular film. Written and directed by Sofia Coppola, the movie charts Priscilla Presley’s (Cailee Spaney) life because it relates to Elvis (Jacob Elordi) – how he got here into her life, how he made her dad and mom really feel and, in the end, how he wound up controlling her. The truth is, he stored her at Graceland a lot that the film at occasions seems like a jail escape image – how is she going to make it out alive and by what strategies? (The ultimate, unbroken take, too good to damage right here, says all of it.) Tellingly, the Elvis property didn’t allow them to movie at Graceland or use any of his music, however that truly provides to the film’s energy, as an alternative of taking that energy away. Plus it’s method cooler to watch Priscilla Presley get her hair executed to a Dan Deacon music. Coppola’s profession has been suffering from ladies who’ve felt trapped by privilege, whether or not it’s Scarlett Johansson in a glitzy Japanese resort or Marie Antoinette lazing across the palace. Priscilla is one other a kind of ladies. No one might have introduced her story to life higher than Coppola. And no person might have performed her in addition to Spaeny. – Drew Taylor
“Everything Everywhere All at Once”
Netflix – Feb. 23
A24’s Oscar-winning phenomenon “Everything Everywhere All at Once” hits Netflix later this month, and it’s definitely worth the wait. From filmmaking duo Daniels, this indescribable movie is at as soon as a household drama, multiversal sci-fi journey and bareknuckle actioner. Michelle Yeoh performs a Chinese language immigrant operating a laundromat along with her husband (performed by Ke Huy Quan) who’s combating an IRS audit of her enterprise. However in a gathering with the IRS, her physique is taken over by a model of her from a special universe. Completely bonkers motion ensues, however the movie barrels in the direction of an emotional ending that drills down this story of familial bonds. “Everything Everywhere All at Once” gained seven Oscars together with Finest Image, Director, Actress, Supporting Actor, Supporting Actress and Authentic Screenplay. – Adam Chitwood
“Marcel the Shell with Shoes On”
Netflix – Feb. 24
Maybe one of the crucial lovable motion pictures you’ll ever see, “Marcel the Shell with Shoes On,” which is predicated on the favored quick movies by Dean Fleischer Camp and Jenny Slate, follows the titular stop-motion shell (as soon as once more voiced by Slate) as he searches for his household. That’s actually it. However the film is so lovingly crafted and so deeply felt that you would be able to’t assist however get sucked into the bizarre little world of Marcel and his grandmother Connie (Isabella Rossellini). It’s also proof that typically the only tales can carry with them the most important emotional affect, as you’ll undoubtedly be a large number at a number of level whereas watching. It’s a testomony to the film’s singular energy that it was nominated for the Finest Animated Characteristic Oscar final 12 months, after the group proved {that a} sufficiently big portion of the film was animated. (We love the Academy and their foolish little guidelines, don’t we of us?) Whereas it didn’t win, Marcel definitely made an affect, with Fleischer Camp occurring to a fair larger story of human/creature interplay – a live-action remake of Disney’s “Lilo & Stitch.” That can undoubtedly be superb too. – Drew Taylor
“Code 8: Part II”
Netflix – Feb. 28
The indie Netflix sci-fi movie “Code 8” lastly will get a sequel with “Code 8: Part II.” Robbie Amell reprises his position as Connor, now out of jail and having reduce ties with Garrett (performed by Stephen Amell). However when Connor is compelled to assist a 14-year-old named Pav, he finds himself on the run as soon as extra and in search of the final individual he anticipated to be reaching out to. – Adam Chitwood
