Early in Netflix’s All the Light We Cannot See, based on Anthony Doerr’s Pulitzer Champion publication, Daniel LeBlanc (Mark Ruffalo) reveals a three-dimensional reproduction of his Parisian community for his blind little girl, Marie-Laure (played as a youngster by Nell Sutton). “It’s an image right off the pages of the novel,” states director ShawnLevy, that helmed the five-episode collection. “I remember imagining [it] so vividly years ago when I read the book.”
Levy– whose movie credit ratings consist of Free Person and the upcoming Deadpool 3– confesses the The second world war dramatization differs from anything he’s done in the past. “I picked creative partners who understood this needed an aesthetic language,” he states, keeping in mind that DP Tobias A. Schliessler and manufacturing developer Simon Elliott brought “texture, art and atmosphere” to LeBlanc’s home. “In order to understand the trauma of Daniel and Marie fleeing Paris, we need to establish their world first,” Levy states.“This is a man of culture, who believes that every day should be a form of school — a constant enlightenment.”
The handmade version, where Marie-Laure finds out to browse Paris, was initially readied to be 3D-printed, yet a very early variation did not have mankind and measurement. “[It] is an expression of Daniel’s love for his daughter,” Levy states.“It was made with just as much love and care as the model in the story itself.”
