“Oppenheimer” got 2 out of 3 rewards at the Movie Noise Editor’s 71st Golden Reel Honors on March 3 at the Wilshire Ebell Cinema. Christopher Nolan’s eruptive Oscar preferred won Dialogue/ADR and Effects/Foley, while Bradley Cooper’s “Maestro” got Songs Editing and enhancing. Both movies were led by managing audio editor Richard King (a four-time Oscar victor for “Dunkirk,” “Inception,” “The Dark Knight,” and “Master and Commander: The Far Side of the World”).
After likewise taking the leading audio blending reward this weekend break at the 60th CAS Honors, “Oppenheimer” is currently in the Oscar chauffeur’s seat versus the various other audio candidates: “The Zone of Interest.” “Maestro,” “Mission: Impossible — Dead Reckoning Part One,” and “The Creator.”
The various other Golden Reel movie winners mosted likely to “Spider-Man: Across the Spider-Verse” for computer animated attribute, “32 Sounds” for docudrama, and “Society of the Snow” for international language. This was a shock distress over “The Zone of Interest,” the global attribute movie Oscar preferred. Johnnie Burn’s off-screen scaries of mass murder past the Höss rental property at neighboring Auschwitz has actually been proclaimed for its creative soundscape.
The television winners consisted of “The Mandalorian,” “The Last of Us,” “The Marvelous Mrs. Maisel,” and “The Light We Cannot See.”
Furthermore, the MPSE presented its Filmmaker Honor on Michael Supper, that most just recently created the FX collection “Justified: City Primeval” and guided 3 episodes, and its Occupation Success Honor on audio editor Dane A. Davis (the Oscar-winning “The Matrix”).
The complete checklist of movie and television winners is listed below:
Impressive Success in Noise Modifying– Program Computer Animation
“Rick and Morty”– UnmortrickenCartoon NetworkSupervising Noise Editor: Seeker Curra MPSESound Editor: James A. MooreSound Consequences Editor: Corbin BumeterDialogue Editor: Ricardo Watson
“Star Trek Lower Decks”– Old Buddies, New PlanetsParamount+ Supervising Noise Editor: James LuceroSound Consequences Editors: Mak Kellerman, John WynnFoley Editor: Michael Britt
“Star Wars: The Bad Batch”– FasterDisneySupervising Audio Editors: David W. Collins, Matthew WoodSound Developer: David W. CollinsSound Consequences Editors: Justin Doyle, Kevin Bolen MPSE, Kimberly PatrickSupervising Foley Editor: Frank RinellaFoley Artists: Kimberly Patrick, Margie O’Malley, Andrea Gard
“Star Wars: Visions”– The PitDisneySupervising Noise Editor: David W. CollinsSound Developer: David W. CollinsSound Consequences Editors: Kevin Bolen MPSE, Expense RudolphDialogue Editor: David W. CollinsSupervising Foley Editor: Alex WilmerFoley Artists: Shelley Roden MPSE, Xiuzhu (Mimi) Guo
“Transformers: Earthspark”– Safety And Security ProtocolsNickelodeonSupervising Noise Editor: Brad Meyer MPSESound Consequences Editor: Natalia Saavedra Brychcy MPSEDialogue Editor: Christine GamacheFoley Editor: Carol Ma MPSE
“Young Jedi Adventures” The Young Jedi/Yoda’s MissionDisneySound Consequences Editor: Heather Olsen MPSEDialogue Editor: Robbi Smith MPSEFoley Editor: David Bonilla MPSEFoley Musician: John “J” Lampinen
Impressive Success in Noise Modifying– Program Long Kind Discussion/ ADR
“All the Light We Cannot See”– Episode 4NetflixSupervising Noise Editors: Craig Henighan MPSE, Ryan Cole MPSEDialogue Editors: Emma Existing, Jill Purdy MPSE
“Succession”– Connor’s Wedding celebration” HBOSupervising Noise Editor: Nicholas Renbeck MPSEDialogue Editor: Dan KorintusSupervising ADR Editor: Angela OrganDialogue Editor/ ADR Editor: Andy Kris
“Ted Lasso”– As Long, FarewellAppleTV+ Monitoring Audio Editor: Brent Findley MPSEDialogue Editors: Bernard Weiser MPSE, Bruce Honda, Scott Haller MPSEADR Editor: Daniel Douglass MPSE
“The Crown”– RitzNetflixSupervising Noise Editor: Lee Walpole MPSESupervising Discussion Editor: Iain EyreADR Manager: Steve LittleADR Editors: Abbie Shaw, Matthew Mewett
“The Last of Us”– Long, Long TimeHBOSupervising Noise Editor: Michael J. BenaventeDialogue Editor: Joe Schiff
“The Marvelous Mrs. Maisel”– 4 MinutesAmazon PrimeSupervising Noise Editor: Ron BocharDialogue Editor: Sara SternADR Editor: Ruth Hernandez MPSE
Impressive Success in Noise Modifying– Program Long Kind Results/ Foley
“Ahsoka”– Component 4: Fallen JediDisneySupervising Noise Editors: Bonnie Wild, Matthew WoodSound Developer: David AcordSound Consequences Editors: Kimberly Patrick, Tim FarrellSupervising Foley Editor: Joel RaabeFoley Musician: Shelley Roden MPSE, Ronni Brown, Heikki Kossi MPSE
“All the Light We Cannot See”– Episode 4NetflixSupervising Noise Editors: Craig Henighan MPSE, Ryan Cole MPSESound Consequences Editor: David GrimaldiFoley Editor: Matt CloudFoley Musician: Steve Baine
“The Continental: From the World of John Wick”– Theater of PainPeacockSupervising Noise Editor: Luke GibleonSound Developer: Nick InterlandiSound Consequences Editor: Joshua AdenijiFoley Editors: Adrian Medhurst MPSE, Duncan CampbellFoley Musician: Adrian Medhurst MPSE
“Loki”– Remarkable PurposeDisneySupervising Noise Editor: Bjørn Ole SchroederSound Developer: David ChrastkaSound Consequences Editors: Andre Zweers, Malcolm Fife, Jamey Scott MPSESupervising Foley Editor: Alyssa NevarezFoley Editor: Dawit Zemene MPSEFoley Musician: Sandra Fox
“Star Trek: Picard”– The Last GenerationParamount+ Monitoring Audio Editor: Matthew E. TaylorSound Designers: Michael Schapiro, Harry Cohen MPSESound Editors: Alex Pugh MPSE, Deron StreetFoley Editors: John Sanacore MPSE, Clay Weber MPSEFoley Musician: Rick Owens MPSE
“The Last of Us”– When You’re Shed in the DarknessHBOSupervising Noise Editor: Michael J. BenaventeSound Designers: Chris Battaglia MPSE, Chris TerhuneSound Consequences Editors: Mitchell Lestner, Matt Yocum MPSESupervising Foley Editor: Randy WilsonFoley Editors: Davi Aquino, Justin HaleFoley Artists: Justin Charbonneau, Stefan Fraticelli, William Kellerman
Impressive Success in Noise Modifying– Program Short Kind
“American Horror Story: Delicate Part 1”– When the Bough BreaksFXSupervising Noise Editors: Christian Buenaventura MPSE, Gary Megregian MPSESound Consequences Editor: Tim ClevelandDialogue Editor: Steve StuhrFoley Editor: Sam MunozFoley Musician: Noel Vought
“Barry”– wowHBOSupervising Audio Editors: Sean Heissinger, Matthew E. TaylorSound Developer: Rickley W. Dumm MPSESound Editor: Deron StreetDialogue Editor: John Creed MPSESupervising Foley Editor: Clay Weber MPSEFoley Editor: Darrin MannFoley Artists: Alyson Dee Moore MPSE, Chris Moriana
“Beef”– The Excellent FabricatorNetflixSupervising Noise Editor: Christopher Gomez MPSESound Consequences Editor: Jerry Lafuente MPSEDialogue Editor: Nathan EfstationFoley Editor: Igor YashinFoley Musician: Ruslan Schebisty
“The Bear”– FishesFXSupervising Audio Editors: Steve “Major” Giammaria MPSE, Andrea BellaSound Consequences Editor: Matt SnedecorDialogue Editors: Evan Benjamin, John WernerADR Editor: John BowenFoley Editor: Annie TaylorFoley Artists: Leslie Bloome, Shaun Brennan
“The Mandalorian”– The ReturnDisneySupervising Noise Editors: Trey Turner, Matthew WoodSound Developer: David W. CollinsSound Consequences Editors: Luis Galdames MPSE, Kevin Bolen MPSEADR Editors: Brad Semenoff MPSE, Ryan CodaSupervising Foley Editor: Frank RinellaFoley Editors: Joel Raabe, Alyssa NevarezFoley Musician: Shelly Roden MPSE
Impressive Success in Noise Modifying– Function Computer Animation
“Elemental” Disney/ PixarSupervising Noise Editors: Ren Klyce, Coya ElliottSound Developer: Ren KlyceSound Consequences Editors: Jonathan Stevens, Ben Burtt, Kim Patrick, Steve BissingerSupervising Discussion Editor: Rich QuinnDialogue Editor: Lisa ChinoSupervising Foley Editor: Dee SelbyFoley Editor: Nicolas DocterFoley Artists: Shelley Roden MPSE, Heikki Kossi MPSE
“Migration” IlluminationSupervising Noise Editors: Daniel Laurie, Josh GoldSound Consequences Editors: Richard Gould, Luke Dunn-Gielmuda, Scott GuitteauSupervising Foley Editor: Thom BrennanFoley Editor: E. Larry OatfieldFoley Artists: Sean England, Andrea GardMusic Editor: Expense Bernstein
“Spider-Man: Across The Spider-Verse” Sony Photo AnimationSupervising Noise Editor: Geoffrey G. RubaySound Designers: John J. Pospisil, Alec G. Rubay, Kip SmedleySound Consequences Editors: Cathryn Wang, David Werntz, Bruce Tanis MPSE, Greg 10 Bosch MPSE, Daniel McNamara MPSE, Will Certainly Digby, Andy SisulSupervising Discussion Editor: James Morioka MPSEDialogue Editors: Robert Getty MPSE, Jason W. Freeman, Kai Scheer, Ashley N. RubayFoley Manager: Colin Lechner MPSEFoley Musician: Gregg Barbanell MPSE, Jeff Wilhoit MPSE, Dylan WilhoitSupervising Songs Editor: Katie GreathouseMusic Editor: Barbara McDermott
“The Super Mario Bros Movie” Universal PicturesSupervising Noise Editor: Daniel LaurieSound Designers: Randy Thom MPSE, Jamey Scott MPSESound Consequences Editors: Leff Lefferts, Qianbaihui Yang MPSE, Scott GuitteauSupervising Foley Editor: E. Larry OatfieldFoley Editor: Zach MartinFoley Artists: Ronni Brown, Jana Vance, Sean England
Impressive Success in Noise Modifying– Function Docudrama
“32 Sounds” ArKtypeSupervising ADR Editor: Eliza PaleySound Developer: Mark Mangini MPSESound Editor: Robert Kellough MPSEADR Editor: Mari MatsuoFoley Musician: Joanna Fang MPSE
“American Symphony” Greater Ground ProductionsSupervising Noise Editor: Tristan Baylis MPSE, Tom PaulFoley Musician: Leslie BloomeSound Consequences Editors: Matt Snedecor, Mark Filip
“Mourning In Lod” Medalia ProductionsSupervising Noise Editors: Yossi Appelbaum, Lior WeitzmanSound Developer: Yossi Appelbaum
“Still: A Michael J. Fox Movie” AppleTV+ Monitoring Audio Editor: Avoid LievsaySound Consequences Editor: Rich BolognaDialogue Editor: Michael FeuserFoley Manager: Matt HaaschFoley Editor: Heather GrossFoley Musician: Jay Peck
“Taylor Swift: The Eras Tour” Taylor Swift ProductionsSound Editor: Phil DeTolveMusic Manager: David Chef
Impressive Success in Noise Modifying– Foreign Language Function
“Anatomy of a Fall” NeonSound Editors: Fanny Martin, Jeanne Delplancq
“The Zone of Interest” A24Supervising Noise Editor: Johnnie Burn MPSESound Consequences Editors: Simon Carroll, Max Behrens, Joe Mount, Brendan FeeneyFoley Editors: Ewa Mazurkiewicz, Natalia Lubowiecka MPSE, Dawid Konecki, Kamil Kwiatkowski
“Godzilla Minus One” Robotic CommunicationsFoley Musician: Natsuko Inoue
“Society of the Snow” NetflixSupervising Audio Editors: Oriol Tarragó, Iosu Martinez, Guillem GiróFoley Artists: Erik Vidal, Kiku VidalSound Editors: Sarah Romero, Marc Bech, Brendan GoldenSound Developer: Oriol TarragóMusic Editor: John Finklea
Impressive Success in Noise Modifying– Function Discussion/ ADR
“Barbie” Monitoring Audio Editors: Ai-Ling Lee, Dan KenyonWarner Bros.Supervising Discussion/ ADR Editor: Brian Bowles MPSEDialogue Editors: Kate Bilinski, Tony Martinez, Tyler Newhouse
“Killers of the Flower Moon” AppleTV+ Monitoring Audio Editors: Philip Stockton, Eugene GeartyDialogue Editors: Julia Stockton, Philip StocktonADR Editor: Marissa Littlefield
“Maestro” NetflixSupervising Audio Editors: Richard King, Rich BolognaSupervising Discussion/ ADR Editor: Tony MartinezDialogue Editors: Eliza Paley, Jac Rubenstein, Fred RosenbergSupervising Songs Editor: Jason Ruder
“Napoleon” AppleTV+ Monitoring Audio Editors: Oliver Tarney MPSE, James HarrisonSupervising Discussion Editor: Michael MaroussasDialogue Editor: Rachael Tate MPSE
“Oppenheimer” Universal PicturesSupervising Noise Editor: Richard KingSupervising Discussion Editor: David BachDialogue Editors: Russell Farmarco, Albert Gasser MPSE
“Poor Things” Searchlight PicturesSupervising Noise Editor: Johnnie Burn MPSEDialogue Editors: Tristan Baylis MPSE, Peter Russell
Impressive Success in Noise Modifying– Function Consequences/ Foley
“Gran Turismo” Columbia PicturesSupervising Noise Editors: Kami Asgar MPSE, Erin OakleySound Developer: Charles DeenenSound Consequences Editors: Sam Follower, Matt Cavanaugh MPSESound Developer: Tim Gedemer MPSEFoley Artists: Gary Hecker MPSE, Mike HortonFoley Editor: Jessica Parks
“Ferrari” NeonSupervising Audio Editors: Tony Lamberti, Bernard Weiser MPSESound Developer: David WentzSound Consequences Editor: Brent Findley MPSE, Steven Ticknor, Benjamin Chef MPSESupervising Foley Editor: Beso Kacharava MPSEFoley Musician: Biko GogaladzeFoley Editors: Alexander Sanikidze, Rati Chkhetiani
“John Wick Chapter 4” LionsgateSupervising Audio Editor: Paul Soucek MPSESound Designers: Mark Stoeckinger, Luke Gibleon, Olivia Xiao’ou Zhang MPSE, Stephen Robinson MPSE, Gael NicolasSound Consequences Editors: Casey Genton, Nicolas Interlandi
“Napoleon” AppleTV+ Monitoring Audio Editors: Oliver Tarney MPSE, James HarrisonSound Designers: Mike Fentum, Hugo AdamsSound Consequences Editors: Aran Clifford, Kevin Penney, Rowan WatsonFoley Artists: Oliver Ferris, Sue Harding
“Oppenheimer” Universal PicturesSupervising Noise Editor: Richard KingSound Consequences Editor: Michael MitchellSound Developer: Randy TorresSupervising Foley Editor: Christopher FlickFoley Artists: Dan O’Connell, John Cucci MPSE
“The Killer” NetflixSound Developer: Ren KlyceSound Consequences Editors: Jonathon Stevens, Malcolm FifeSupervising Noise Editor: Jeremy MolodSupervising Foley Editor: Thom BrennanFoley Editor: Dee SelbyFoley Artists: Shelley Roden MPSE, John Roesch MPSE
Impressive Success in Noise Modifying– Non-theatrical Computer Animation
“Blue Eye Samurai”– All Wickedness Dreams and Angry WordsNetflix AnimationSupervising Noise Editor: Myron NettingaSupervising Discussion Editor: Paulette Lifton MPSESound Designers: Sam Hayward, Jared Dwyer MPSE, Andrew Miller MPSESound Editor: Johanna TurnerFoley Artists: Jason Charbonneau, Stefan FraticelliFoley Editor: Justin Helle
“Blue Eye Samurai”– HammerscaleNetflix AnimationSupervising Noise Editor: Paul N.J OttossonSound Consequences Editor: Leo MarcelDialogue Editor: Daniel Saxlix MPSEFoley Editor: Shawn KennelleyFoley Artists: Melissa Kennelley, Vince Nicastro
“Justice League”– WarworldWarner Bros. AnimationSound Developer: Robert Hargreaves MPSESupervising Discussion Editor: Mark KeattsDialogue Editors: Mike Garcia MPSE, Kelly Foley-Downs
“The Monkey King” Netflix AnimationSupervising Noise Editors: David Giammarco, Eric A. Norris MPSEDialogue Editor: Sean Massey MPSESound Designers: Jon Title MPSE, Tim NielsenFoley Artists: Dan O’Connell, John Cucci MPSE
Impressive Success in Noise Modifying– Non-theatrical Docudrama
“100 Foot Wave”– Shed at SeaHBOSupervising Noise Editor: Keith HodneDialogue Editor: Max HollandSound Developer: Eric Di StefanoSound Consequences Editors: Eli Akselrod, Mika AnamiSound Developer: Kevin Senzaki MPSE
“David Attenborough’s Conquest of The Skies” Atlantic ProductionsSupervising Noise Editor/ Audio Developer: Oliver Kadel
“Formula 1: Drive to Survive”– Over the LimitNetflixSupervising Noise Editors: Steve Rate, Nick FrySound Supervisors: Adam King, Doug DregerSound Designers: Ivan Onek, James Spooner
“Our Planet II”– Phase 3: The Following GenerationNetflixSound Editor: George Fry
” Waco: American Armageddon– At First … NetflixSupervising Noise Editor: Journey Brock MPSESound Developer: Itai LevySound Consequences Editor: Eric Gillingham MPSE, GW Pope, IIIDialogue Editor: Jackie Johnson
“World War II: From the Front Lines”– Transforming PointNetflixSupervising Noise Editor: Luke HatfieldSound Developer: Sophie-Alice Davies
Impressive Success in Noise Modifying– Non-theatrical Function
“Black Mirror”– Past the SeaNetflixSupervising Noise Editor: Antony BaymanDialogue/ADR Editor: Alex SawyerSound Consequences Editor: Jane LoSupervising Foley Editor: Adam MéndezFoley Editor: Rob DavidsonFoley Musician: File A Claim Against Harding
“The Last Kingdom”– 7 Kings Have To DieNBCUniversalSupervising Noise Editor: Jack GilliesDialogue/ADR Manager: Michael WilliamsADR Editor: Steve BerezaiFoley Editor: Neale RossFoley Musician: Jason Swanscott
“Mr. Monk’s Last Case: A Monk Movie” PeacockSupervising Noise Editor: Brent Findley MPSESound Consequences Editor: Dan Kremer MPSEDialogue Editor: Dan Douglass MPSEFoley Musician: Brian Staub
“Publish or Perish” Alation MediaSupervising Noise Editor: Leslie Gaston-Bird MPSESupervising Foley Editor: Anna Sulley MPSEDialogue Editors: Lora Cornes, Naomi Graham, Jahmai BruceFoley Artists: Ruth Sullivan, Karo Jedrzejczyk
Impressive Success in Songs Modifying– Program Long Kind
“Daisy Jones and the Six”– Track 8: Resembles We Made ItAmazon PrimeSupervising Songs Editor: Brownish-yellow Funk MPSEMusic Editor: Mike Poole
“Fargo”– The TigerFXMusic Editor: Ben Schor
“Loki”– Remarkable PurposeDisneySupervising Songs Editor: Anele OnyekwereMusic Editors: Nashia Wachsman, Richard Armstrong, Ed Hamilton
“The Last of Us”– When You’re Shed in the DarknessHBOMusic Editor: Maarten Hofmeijer
“The Marvelous Mrs. Maisel”– SusanAmazon PrimeLead Songs Editor: Annette Kudrak
“Ted Lasso”– SunflowersAppleTV+ Lead Songs Editor: Richard David Brown MPSE
Impressive Success in Songs Modifying– Program Short Kind
“Beef”– The Excellent FabricatorNetflixMusic Editors: Jason Tregoe Newman, Bryant J. Fuhrman, Andrew Ransom Money
“Dave”– Met GalaHuluSupervising Songs Editor: Brownish-yellow Funk MPSEMusic Editor: James Sullivan
“Only Murders in the Building”– Opening Up NightHuluMusic Editor: Micha Liberman
“The Bear”– FishesFXMusic Editors: Jason Lingle, Jeff Lingle
Impressive Success in Songs Modifying– Docudrama
“American Symphony” NetflixLead Songs Editor: Ignacio Bonet
“Pianoforte” Greenwich EntertainmentSupervising Songs Editor: Michal Fojcik MPSEMusic Editor: Joanna Popowicz
“Still: A Michael J. Fox Movie” AppleTV+ Songs Editor: Expense Bernstein
“Wham!” NetflixMusic Editor: Greg Gettens
Impressive Success in Songs Modifying– Function Movie
“Barbie” Detector Bros.Supervising Songs Editor: Suzana PerićMusic Editor: Mick Gormaley
“Creed III” Amazon/ MGMMusic Editor: Nicholas Fitzgerald
“Maestro” NetflixSupervising Songs Editor: Jason RuderMusic Editor: Victoria Ruggiero
“Oppenheimer” Universal PicturesSupervising Songs Editor: Amanda GoodpasterMusic Editors: Felipe Pacheco, Alex Gibson
“Spider-Man: Across the Spider-Verse” Sony PicturesSupervising Songs Editor: Katie GreathouseMusic Editor: Barbara McDermott
“Wonka” Detector Bros.Supervising Songs Editor: Katrina Schiller MPSEMusic Editors: Mark Willsher MPSE, Michael Connell, Janet Grab
